—Za prvé a především – koho můžete jmenovat jako nejlepšího fotografa ve vašem městě? :)

—/\/\That guy.

—Jaké by měl mít zákazník kritérium při výběru fotografa?

—They personality, portfolios and if possible their history.

—Jak jste se dostali do fotografického průmyslu?

—I started out as a commercial photographer and photojournalist
then evolved into a weekend wedding photographer.
I kind of went full fledged Destination Wedding Photographer about 8 yrs ago.

—Jste fotogeničtí?

—I look Marvelous.

—Cestujete rádi?

—Whenever I can, Yes!!

—Co máte nejredši na vaší profesi?

—The challenge and smiling Clients.

—Jak zvládáte kritiku?

—I welcome it.
It makes me better.

—Co není dovoleno při focení?

—Bad composition.

—Co ovlivňuje hodnotu fotografie? Jaké jsou její prvky?

—Creativity, ability to make an impact, composition.

—Jaká je budoucnost focení?

—Probably some sort of sophisticated spectacles that take Hi res images when you blink your eyes,

—Kdo může být podle vás symbolem 21. století?

—Mirrorless cameras.

—Jak jste se dostali do fotografického průmyslu?

—I was an architect and my parents want me have a good job with high salary but i don't want to wake up every morning and go to the office so i quit my job and do what i love.

—Jste fotogeničtí?

—I just capture people’s reactions and emotions while celebrating love. I don't think to much about Photogenic.

—Jaké jsou podle vás nedůležitější součásti dobré fotografie?

—-Moment
-Information
-Light
-Composition
-Creativity

—Cestujete rádi?

—Yes, i love it. I travel 2 times in a year.

—Co chcete fotit?

—Leonardo DiCaprio – I really like him.

—Máte nějaké profesní tabu?

—No

—Co je výjimečného na žánru fotografií, na který se specializujete?

—Creating images that produce great memories to those who see them again over the years.

—Jsou nějaké trendy v oblasti focení?

—Yes,I think that we are going to a documentary photograph of high creative quality.

—Jaké by měl mít zákazník kritérium při výběru fotografa?

—First of all, it's important that the bride and groom identify themselves with the photographer and his work, the choice should be made by whether they consider he is the one who's worth recording their lifetime memories. Then, they should absolutely watch an entire wedding shot by the one they chose. I like being approached by future weds who know a thing or two about photography and who got their mind set on what they really want.

—Jak jste se dostali do fotografického průmyslu?

—I started taking pictures in 2000 and shooting weddings in 2008. At first, I didn't want to do weddings, I thought it would diminish my work. But I started anyway and found the most challenging environment, I discovered that no matter what type of photography you do, you can always reinvent yourself and find new ways to tell a story. Especially when you meet extraordinary people all the time :)

—Jste fotogeničtí?

—I consider I ain't, but it so happens that on occasion some other photographer catches the good/bright sight of me.

—Jaké jsou podle vás nedůležitější součásti dobré fotografie?

—First & foremost, the people involved and their mood (if you're shooting people), then the light (I began ”seeing” the light after years of shooting) and the decisive moment. I don't agree that the quality of a photograph is not important, but it indeed comes in second after the feelings it produces.

—Cestujete rádi?

—So much that if it would be possible I would be traveling all the time.

—Co máte nejredši na vaší profesi?

—The diversity – today I'm shooting a wedding, tomorrow a baptism, after tomorrow a concert, then a family portrait, a corporate event or some landscape. It's what keeps me connected all the time.

—Co se vám líbí nejméně na vaší profesi?

—Having too much to edit.

—Jak zvládáte kritiku?

—I'm all in for constructive criticism, don't like destructive one. That's why we're here on My Wed, right? To constantly learn from other photographers and document ourselves about where we are as wedding photographers. I, for one, would like to hear more criticism about my work and where to improve. Here's an idea: you could implement a section where each photographer could post one photo/week for critique :D

—Co není dovoleno při focení?

—Getting in front of the photographer.

—Jaká je budoucnost focení?

—I think it is constantly evolving and that we'll always see changes for the good. We'll always have trends that come and go, the important thing is to know who you are and do what you really like, not necessarily follow the hype.

—Co je výjimečného na žánru fotografií, na který se specializujete?

—Oh, everything about it is special. I must admit I suffer when someone refers to it as a banality, thinking that ”real artists” don't do wedding photos. Special is meeting new people, seeing new places or facing new challenges. Besides war photography, I find it the most challenging type, you get to meet all kinds of situations during one day: different light every minute, you get to shoot outdoors and indoors, in plain sun or in the shadow of a tree/building, inside a cave or on a mountain top etc. etc. Need I say more?